If you've been following the many installments of the Pompeii Room's evolution, you might remember that I painted the window frame at the very beginning.
I chose to begin there because it was the first thing that people entering the room would see. But I painted it loosely because I wanted to give a little momentum to the project. At the time, I said I'd return at a later date and add more detail. Well, that time is now.
I began by repainting the entire frame to better match the rest of the room's masonry. Now all the masonry is in the same color family, primarily a Sherwin Williams paint called
Sand Dollar.
Here you can see the before and after. The original window frame was a light mustard yellow that I equated with sandstone, and as you can see, I've better delineated the torus that tops the window frame.
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| click to enlarge |
My friend Sandy — who gives excellent critiques — thinks that the cobalt blue plaque makes the frame a little too top heavy, even if it will be getting an inscription. She's made a suggestion that I like, and so that blue will be replaced by my next posting.
You've undoubtedly noticed that in all my images of the Pompeii Room's window, I've masked the actual window with gray. That's because I've been bothered all along by a venetian blind, which quickly destroys the illusion I've been working hard to create.
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| Greek Revival America | Roger G. Kennedy | detail of a photograph by Robert Lautman |
What I really wanted was a Roman grill like the image above. I drew plans of such a window and even consulted with a fine carpenter who's done other work on the house.
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| homedepot.com |
I also looked into the possibility of using industrial grilles.
And then last week, while my house was being tented, I discovered this antique screen, originally hinged as a room divider. If you look closely, you might be able to see that by removing an X'd unit from the bottom of each panel, the fit will be almost perfect. I'm thrilled.
I hope you'll join me for the next installment!
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