Tuesday, August 16, 2011

Mucking About in the Everglades

Clyde Butcher, photographed by Woody Walters

Around this time three years ago, I took part in Clyde Butcher's annual "Muck About." I traveled with friends to spend a day photographing and "mucking about" in the Everglades, and to visit the gallery of a great photographer.

Click to enlarge  |  Clyde Butcher  |  Loxahatchee River #1

Clyde Butcher is renowned for his exquisite photographs of Florida, and in particular, his views of the Everglades. He wades through the water, using antique cameras, to capture images of Florida that are fast disappearing. Butcher's images, always black and white, range in size up to 5 x 9 feet.

Clyde Butcher  |  Everglades Restoration "Can Do"
Clyde Butcher is important, not just for his fine art, but also because he brings attention to the Everglades, which is under assault from those who would reroute its resources, and develop and destroy it.

Though people often think of the Everglades as a huge swamp, it is in fact a unique ecosystem, a slow-moving river that is home to over a 1,000 species of plants and over 350 species of birds. According to the Everglades Foundation, 67 threatened and endangered species reside within the Everglades. In her famous 1947 book, Marjorie Stoneman Douglas named this remarkable spot  the "River of Grass." The Everglades is both a World Heritage Site and an International Biosphere Reserve.

Click to enlarge  |  Sandy Gonzalez, 2008
My favorite shot of the day was this serene view, taken by my friend Sandy. Wouldn't this make a striking mural? Below are some of my own Everglades images.


Mark D. Ruffner, 2008

Mark D. Ruffner, 2008
This may look like a tinted photograph, but in fact this bright red plant sprung up amidst very gray vegetation. It was quite a surprise to come upon it.

Mark D. Ruffner, 2008

Mark D. Ruffner, 2008


Mark D. Ruffner, 2008

Mark D. Ruffner, 2008

Mark D. Ruffner, 2008

Mark D. Ruffner, 2008
Mark  |  Sandy Gonzalez, 2008
.

Friday, August 12, 2011

Botticelli's Master

Sandro Botticelli

Sandro Botticelli (1444-1510), whom the great biographer Giorgio Vasari referred to as "Botticello," attained a style we've come to recognize as all his own. But that's a disservice to his teacher, Fra Filippo Lippi (1406-1469), who is now less well remembered.

Botticelli was apprenticed to Fra Filippo Lippi while still a restless young boy. Fra Filippo Lippi became very fond of his apprentice because Sandro threw himself into learning and imitated the master closely. And if we make some comparisons, we can see that works by the mature Botticelli retain the influence of his master.


Above are two Madonnas, on the left by Fra Filippo Lippi, and on the right by Botticelli. A trademark of both artists is that they tended to define flesh in soft gradations, somewhat denying skeletal underpinnings. Features were often outlined, and we can see that especially in their treatment of hands.


At the top are hands by Fra Filippo Lippo, and below are hands by Botticelli. You're not very conscious of knuckles in these, and you'll notice that both artists extended the length of the fingers. Such lengthened features made Botticelli's women particularly graceful, and it's no mistake that when we think of Botticelli, we are bound to think of Venus rising from the water.


Botticelli is also remembered for his exquisite delineation of hair, and here again, one has only to look to his master to see the influence. On the left, hair by Fra Filippo Lippi, and on the right, by Botticelli.

Botticelli of course established his own studio, and went on to work for Pope Sixtus IV and the great Lorenzo de Medici. If we look at what I would consider to be Fra Filippo Lippi's masterpiece, The Adoration of the Magi, it looks quite different from anything by his pupil.

Click to enlarge
And yet if one looks at La Primavera, Botticelli's famous painting of love and spring, one still sees the influence of Fra Filippo Lippi in the tapestry-like painting of the flora.


According to Vasari, Botticelli was generous to other artists, and was famous for his practical jokes. Unfortunately, he became a follower of the priest Girolamo Savonarola, and according to Vasari, even destroyed some of his own work in the infamous Bonfire of the Vanities. Botticelli, having given up painting, died destitute.

        

Monday, August 8, 2011

Art History Is Not Linear

Art History Is Not Linear  |  Ryan McGinness  |  Page Bond Gallery, Richmond  |  Art In America  |  2011
This very graphic statement by Ryan McGinness caught my eye recently, not just because it's a striking design, not just because Mason Williams' Classical Gas started playing in my head, but also because the title really resonates with me.

Years ago I taught illustration to high school graduates at an art institute. As I made references to artists, paintings and styles of the past, I was usually met with blank stares. It finally dawned on me that these young people, who aspired to be professional artists, knew virtually nothing of art history. How could that be!? Has our way of teaching history become so dry and date-heavy that even art students shy from picking up books on art history? The answer is, apparently — yes.

My class evolved into a Liberal Arts course as I continually explained that, while we tend to think of history in a timeline, all art is contemporaneous. It might still be true that a lot of young artists look to whatever is current for inspiration and direction, but the totality of art is a never-ending circle of inspiration.

Pompeian frieze, c. A. D. 79   |   Picasso plate, 1956, Christie's

Alchemy symbol, Middle Ages   |   Joan Miro, 1960


Etruscan figures, c. 750 B. C.   |   Alberto Giacometti, c. 1960, cabanahome.com

Art Nouveau initials, c. 1910   |   Fillmore poster, 1967

Hieronymus Bosch, c. 1500   |   Salvador Dali, 1931

York Minster stained glass, c. 1150   |   Georges Rouault, 1937

I hope you enjoy these comparisons.
I intend to make this posting a page in my sidebar,
and I'll continue to add comparative images.
.

Friday, August 5, 2011

George Washington's Will

One hundred years ago today (August 5, 1911), the United States Senate published the Last Will and Testament of George Washington. I own that document in the form of a thin book of 66 pages. Forty-three pages constitute the actual will, and it's quite interesting reading.

As you may know, though George Washington was orphaned at an early age, he came from a wealthy planter family, was a physically impressive figure, an extremely shrewd businessman, and he married well. By the time he died, he was not only wealthy, but if his estate were to be valued in today's market, he would undoubtedly be the wealthiest of all our presidents.

Washington began his career as a surveyor and he liked to own land. He gladly took land in lieu of cash payments and at his death he owned tens of thousands of acres in Virginia, Maryland, Pennsylvania, New York, Kentucky, the Northwest Territory (which comprised a number of present-day states) and the City of Washington (Washington, D.C.). He owned stocks in the Potomac Company, the James River Company, the Bank of Columbia and the Bank of Alexandria.

Washington owned 36 horses, 15 asses, 57 mules, 329 head of horned cattle, 640 head of sheep, and a large stock of hogs that he didn't bother to count.

It's painful to recount that George Washington owned slaves as well. He was conscious that he would be judged for that and therefore wrote in his will that, upon the death of his wife, all his slaves would be set free. An alarmed Martha Washington, not wishing to hurry that day, freed them all immediately.

Washington's will is particularly interesting in the disposal of personal possessions. General Lafayette received two steel pistols, Washington's brother Charles received a gold-headed cane that had been a gift from Benjamin Franklin, a Doctor Craik received Washington's wartime spy glass, and a Doctor Stuart received Washington's shaving table.

The Smithsonian

One paragraph of George Washington's will reads as follows:

"To each of my nephews — William Augustine Washington, George Lewis, George Steptoe Washington, Bushrod Washington, and Samuel Washington — I give one of the swords or cutteaux of which I may die possessed, and they are to choose in the order they are named. These swords are accompanied with an injunction not to unsheathe them for the purpose of shedding blood except be it for self defence of their Country and its rights, and in the latter case to keep them unsheathed, and prefer falling with them in their hands to the relinquishment thereof."


Samuel Washington, who was a military man himself,  chose the sword seen above. The story of the sword and other Revolutionary War memorabilia can be seen at the Smithsonian website, here.
.

Monday, August 1, 2011

A Great Victorian Tin


As a graphic designer, I'm always inspired by the colorful, exuberant packaging designs of the 19th century. The tobacco industry had some of the best designs and that's why, though I've never smoked, I've collected lots of tobacco advertising.

This is one of my favorite tins, Buckingham Bright Cut Plug Smoking Tobacco. While the design is from the 1800s, the actual tin is probably from the late 1920s. It's in remarkable condition.

The product was produced by the American Tobacco Company, which was founded by J. B. (James Buchanan) Duke in 1890. Duke acquired more than 200 competitors, in part because he quickly embraced a mechanical cigarette-rolling machine that other tobacco companies had shied away from. Within 20 years of its founding, the American Tobacco Company controlled approximately 80% of tobacco products in the United States. Then, in a process which began in 1907, the Sherman Anti-Trust Act reduced Duke's company to four separate tobacco companies.



In 1924, J. B. Duke endowed Trinity College of Durham, North Carolina with such a substantial gift that the college changed its name to Duke University in honor of J.B.'s father, Washington Duke.
.

Friday, July 29, 2011

Enjoy the Weekend

Mark D. Ruffner, 2011
It's been a busy, hot week, and if you're like I am, you're probably ready for a relaxing weekend. So no art, antiques or history today, just this serene view from my dining room window. Have an enjoyable, peaceful weekend, blogging friends, and I'll have a new posting on Monday.
.

Sunday, July 24, 2011

Greg Jones: Carver of Birds

In my last posting, I showcased the bird paintings of my friend, Greg Jones. When I first met Greg, he was experimenting carving slate, which is a rather unforgiving medium.

Blue Heron

Greg preferred carving wood, and exhibited his wood carvings in shows and galleries around the country. I'm so glad he documented these pieces, so that I can share them with you.

Future Flights of the Phoenix

Soaring
These two pieces, Future Flights of the Phoenix and Soaring, as well as Eagle, below, were carved in mahogany. Greg's signature style has been to carve motion, as well as the bird.

Eagle


Unison Call
In this piece, Greg depicted two cranes going through a ritual of unison calling. One rises to call as the other lowers, and then they repeat the call in reverse. This is what mahogany looks like when it's bleached.

Spring
Spring, a carving of two egrets, was one of Greg's most popular carvings, and he produced a number of variations.

Mark D. Ruffner  |  St. Petersburg Times  |  2001
Ten years ago, I was asked to design a cover for a Times Christmas gift guide. The newspaper wanted the design to suggest a "Florida holiday," so my solution was to use red and green in this manner, putting the warm colors in the foreground and cool, Florida colors in the background. The focal point is Greg's egrets, a quintessential Florida view, and the one element that really makes this piece pop.

Today, Greg Jones has retired from wood carving, but he continues to paint.

Every artist benefits from a trusted friend who will give honest and insightful critiques, and over the years, I've been lucky to have Greg as that voice for me.
 .